Your cart

Your cart is empty !



05 June > 05 June 2023

May 11 - July 13, 2012

An on-going reflection on the fold and the distortion of hard objects; the Froissé mirror, an Igloo seat and the Magyar rug are all a logical suite of sculptural objects in answer to his original work on the fold and two dimensional scuplture.

In a "Period Room*" style, SANS 90° unites and confronts three classical components of interior design: a mirror, a seat and a rug.

* {Definition: a space assembling  a groupe of elements destined to reconstitute a typical decor from the history of style}

 Mathias Kiss does not stick to a straight line. He overlaps, enjoys and spilss over on purpose: the mural motif of his Banquise installation runs into the parquet flooring. He smashes and fragments a mirror returning razor-sharp reflections of our contemporary interiors.

His Magyar rug, a silken angular interpretation of classical "Point de Hongrie" parquet flooring meets up with the Igloo seat which deploys nine angles like a complexe dihedral or a piece ofbroken ice floe. They are all at an angle, not one is straight.


Mathias Kiss creations are deformed fragmented projections of an ornemental referenced reality on which he poses a sharp and iconoclastic eye. {Someone who disrupts an image} He belongs to a new generation of scenographic artists-decoractors who play with tradition they have perfectly deciphered and enjoys being given "carte blanche"  on projects.




All works

Igloo seat
Mathias Kiss Igloo seat
Tapis Magyar tilleul
Mathias Kiss Tapis Magyar tilleul
Arrow up icon Arrow down icon